All songs served rag based music, not film, the music became memorable ...

Also read :If you miss enjoying these two songs then you won't be missing out on a lot

We enjoyed a glimpse of Shankar Jaikison's songs based on Bhairavi and Shivranjani. One of the promises you have to make before you talk about songs based on other ragas is to fulfill them. On December 8, we talked that Baiju Bawara's music and film were superheated, so Chamor was honored with 'Naushad Naushad'.

Tell the Human Inherent Weaknesses That is to say, Shankar Jaikisen along with other musicians also found it difficult to imagine what this was like. Is classical music a bit of a monopoly? Both of these guys thought of doing a film in which all the songs are raga based. The work was a bit risky but there was something to do. An opportunity was given to him by a filmmaker known as R Chandra's short hulaman. Basanta became out of the world at the bottom of the world Bharati Productions. History at Biju Bawara was a bit more of a fantasy. Basant, on the other hand, was a movie based entirely on fiction.

Also read :Come enjoy other spring based rag songs - every song is great!

According to one opinion, the film's storyline was based on the novel 'Hansgiti' by the then famous Kannada writer Taluku Ramswamy Subbarao (Tarasu). There was only one similarity of the swan song with Biju Bawara. The duo had a competitive duet between the best singers.

In Biju Howrah, there was a rivalry between Biju (Bharat Bhushan) and Tansen (singer-actor Surendra), while the story featured a rivalry between two youths living in the neighborhood. To be fair, Basant did not do the film as shockingly as Biju Bawara or the golden jubilee was celebrated, but his music remained evergreen. Satisfaction with Shankar Jaikison was a sure sign that the music was a success.

Also read :The sweet dilemma of Biju Bawra is felt by musicians even during Basant-out ...!

Here Aur is one thing to understand. At Biju Bawra, two ardent classical singers of that time lent their voice. Ustad Amir Khan, a young singer of Indore Gharana, and Dattatreya Vishnu (DV) Paluskar, the bright young son of Gwalior Gharana's Living Legend Pandit Vishnu Digambar Paluskar. Bharat Bhushan had a lot of music practice and he had experienced the humility of DV Puluskar himself, so his desire was to participate in the DV Puluskarnage Basant. But nature would not allow that.

On a trip to DV China with a delegation in the 5th. His music programs thrived there, but he himself fell victim to the Yellow Fever and returned from China and died at the age of 6 on October 8, the same year. (According to the medical report, he died due to encephalitis.) The elderly father had to give him a shoulder.

Shankar Jaikison also had good affinity with Ustad Amir Khan. Jayakisan approached Vallabhbala Goswami Mukund Raiji of the big temple in Mumbai at Lataji's suggestion. Mukundaraji played the harp of the South and tried to play the song of Ustad Amir Khan.

Also read :All songs served rag based music, not film, the music became memorable ...

He was a disciple like Ustad Amir Khan's Jigri Dost. Ask Jacquis Ustadji's advice. Ustadji lovingly advised that I should now be called an adult. Also, if you take my voice in your film, people will not live without comparing Naushad's music. It took Pandit Bhimsen Joshi of the Kirana household like today's Tansen. I'll keep them talking to you.

Bhimasen was truly 'Tan'Sen. He practiced hard work by drinking raw cow's milk by filling the lotus daily with a rigorous exercise. You can shoot a flat tune up to eight to ten tens of frequencies in the middle of Tintal. Let's do an interesting thing here. Pandit Bhimasen Joshi said in public, "People listen to me, I listen to Ustad Amir Khan to make my singing eclectic ... Jaikis contacted Panditji and cited Ustad Amir Khan's advice." The next moment a chat happened ... (More interesting things next time ...)