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Which is the sweet confusion of which raga-ragini to taste after Shivarajani's departure ....

On the first Friday of the 8th we started to taste the romaharshini of Shivaranj. The temptation to repeat an issue cannot be overstated by fear of repetition. To be honest, these are two issues. The first issue relates to the abolition of the royal palace by Sardar Vallabhbhai Patel. The top singers are of the opinion that the future of Indian classical music is bleak without the monarchy.

Music lovers like me firmly believe that Golden Age film music has nourished and enriched both classical music. Today, there is a huge influx of film music behind the crowd of thousands of people who enjoy Pandit Shiv Kumar Sharma or Pandit Hariprasad Chaurasia. Another issue is the stupidity of a politician of the Nehru era.


In the next, Information and Broadcasting Minister BV Keskar banned the introduction of film songs on the radio. Why? So, the film is ruining a growing generation of music ... Lo kar lo baat ... To be honest, it was their absurd belief. His short-sighted decision gave birth to Binaka songmala and gave the station a unique boost to film music. The skyline lost much of its advertising revenue and the government was hanged.

Today, when we talk about Shankar Jaikisen's unwavering contribution, such issues are immediately remembered. Let's move on. Very few musicians have shown the magnificent Shankar Jaikis who portrayed the hero-hero spirit through Shivaranj's raga. These songs are by no means foreign musicians, an invaluable legacy of Indian music. Shivaranjani also made a sincere effort to convince the beloved character that he was tempted to go away.

This song of Shammi Kapoor's film professor will not be remembered by you - 'Awaaz de ke hum tum tumlao, muhabbat mein itan na hum ko satao ...' The song is an attribute of the ten - the ten tones commonly used in classical music. The song is locked in a slow, no, slow. If you remember the words of the distance before (abhi meri zindagi hai pareshan ...) and the last (na honge agar hum we rote ..), you can understand how a faint hero appeals to his mood!

Shivaranj-based Aur is one of the most memorable and evergreen songs of Raj Kapoor - 'Jaane kahaane gaye woh din, kahaate thaa rahein mein nazaroon ko hum nazaroon ko hum bichayenge' ... The Joker sings while addressing the young women who have promised to support everlasting life. There are complaints in his words but there is no bitterness, some disappointment but no hatred. That is the wonder of this song.

Well-played in a loud voice and rhythmic in the six-volume Dadra Taal, the singer was considered as one of the songs of both Mukesh and Raj Kapoor.

It should be remembered here that the sweet tension of musicians. There has been a lot of buzzing about who has composed the two songs since the sixties. In fact, this should be a rumor. This is the case with the fighting army and the failed generals.

In the style of the film songs, both of these Shankar Jaikishan were like 'Do Jism Magar Ek Jaan'. There was a team in which I was not at all. Some unseen mediamen of the time, however, skyrocketed the so-called differences between the two. Speaking of Kathiawadi, what made the show come out? Both were wonderful collaborations to this day, while Jackison was still alive.

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