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The sweet dilemma of Biju Bawra is felt by musicians even during Basant-out ...!

Last Friday we started talking about song music outside the film Basant. In charge of Ustad Amir Khan, Jaikisen obtained the consent of Bhimasen Joshi, a legend of the Kira family. The real confusion started here. The kind of dilemma that confused musician Naushad during Vijay Bhatt's Biju Bawara also created a confusion here.

What happened at Biju Bawara? The scene of the film was such that there was a rivalry between Baiju and Tansen in Shahnshah Akbar's court. Years ago when Baiju's father was singing a hymn to God, Akbar's sepoys had beaten Biju's father on the orders of nobody to sing except Tansen. To quash the order, Biju learned music near Swami Haridas and appeared to compete with Tinsen in Akbar's court.

When Naushad approached DV Puluskar for the coup, Pulsar was shocked to know that he was about to defeat Ustad Amir Khan. Paluskar refused to sing. Amir Khan himself explained that you have to defeat Tansen's character, not me.

Youth is ringing in your throat while my throat is ringing in my throat. So you will undoubtedly say yes. After that persuasion, Paluskar agreed and sang the late Tumhare ... and a memorable song was created in the middle Aaj Gawat Mann Maro .. (Rag Desi).

When Basant was out, Shankar Jayakis was shocked to hear that he is singing along to Bhimsen Joshi when Manna Day spoke of the song Ketaki Gulab Juhi Champak Bun Phule (Rag Basant Bahar). Where are you talking, he asked. In front was Bhimsen Joshi. It was to "defeat" Bhimasenji back then. Manna Day's confidence may have dropped a bit.

They avoided the whole thing. Now Bhimasen was a very busy artist in those days. Twenty to twenty-two days a month are sung in the country and abroad. Kateki Gulab Juhi..The recording was delayed. Panditji asked Jakison what is the last thing? Jacqueson talked about Manna Day's awkwardness. Bhimasenji the noble insan too true.

Bhimasenji told Jackison that, let's go to explain both Manna Day. The two arrived at Manna Day's house. There, Bhimasenji said that I am one of your fans. I understand my good fortune to have the opportunity to sing with you ... etc. Manna Day has noted in her autobiography, 'My wife explained to me that what are you talking about? Does any film playback singer ever get the chance to sing with Pandit Bhimsen Joshi? Yes, please ... both Shankar and Jakison will get you some practice ... 'Manna Day agreed with some hesitation and we got this wonderful song' Ketki Gulab Juhi Champak Bin Phule ... '

You may have noticed that Bhimasenji flies like a flash of lightning against the simple straight singing of Manna Dani when it comes to Afrin. The most important aspect of the song is its rhythm. In Bijubavara, two or two rows are not lost in the delayed axal, where the Tawanatal, which is called precisely the Druti, starts with this mind.

Shankar Jaikis played differently here. Classical music practitioners believe that it is a little difficult to sing excellently in Druit unity. Slowly slow tune, kata dha tarka dhaana ... When this ekatal is fast enough on the stage or at the pavement, the song will become a fiasco if the ganar does not have complete control over his voice.

By the way, there are seasonal rags both in the spring and out. Shankar Jaikis made the mark by combining two seasonal Ragun Rumors. If you have only a little study of classical music then you cannot forget it after listening to this song. Even if this one song were made, this song outside Basant would have become Evergreen. However, Shankar Jaikisen made all the songs of this film based on raga and almost every song was hit. Even today it doesn't live on TV channels like Indian Idol or Sa Re Ga Ma. (Progressively)

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