If you miss enjoying these two songs then you won't be missing out on a lot

Also read :Which is the sweet confusion of which raga-ragini to taste after Shivarajani's departure ....

An idea that expresses the heroine's spirit has been tried by songwriters of almost every language

Sometimes a musician likes to have more than one raga - Ragini so that once a memorable song is composed, he gets a chance to try the raga again when the opportunity arises. This is one of the two songs from outside the film Basant.

Also read :If you want to enjoy 'Shivaranj's Romarshashini ..' then listen to Shankar Jakison ...

An idea that expresses the attitude of the heroine has been tried by most songwriters of almost every language. At that price you can imagine jealousy, feeling the pain of loss, or the heartache of the heroine. There is a very well-known ballad in the Gujarati language: Ho Rangarasia, Where did you play Ras Jo?

This idea has been tried more than once in movies. Just to give an example, Pritam darsha dikha, tum bin ro roin baitai bhoor dhoori come home ... (Film Chacha Zindabad, Sangeet Madan Mohan, Rag Lalit). Rajendra Krishna has done amazing in the second half of this song. Buj gaya ek ek ek kar ab ab rain ka har ujiyara ... by Virhini illuminated every moment spent.

Shailendra has presented a wonderful idea in Basant Outside. Interestingly, Shankar Jaikis has tried the rag zinzotti here in front of Madan Mohan's Fine Based song. Madan Mohan tried fine because the heroine says that the morning had fallen, now return home ...

Also read :Along with film music, no one has ever done such a unique experiment in the history of Indian music

See the concept of Shailendra here - Ja Ja Re Jaa, Balamwa, Sautan or Sang Rat Night, Kahe Karat Ab Jhoti Battiyan ... See the concept of two songwriters. One says, come home terrified ... the other says Ja Ja Re Ja ... We speak in colloquial language.

There is such a simple language here that Shailendra has tried and created a wonderful dictionary. Aur is an interesting thing to note. In classical music, this raga is considered a zinzotti flick. Not considered serious or serious.

Shankar Jamison had tried this rag before. Remember the song Jaune kahaan bata aaye dil song of Chhoti Bahn film (1) There was a rhythm to the song and it is also used here in Ja Ja Re Ja Balamwa… but its weight has changed like a classical song. Jaan kahin kaha bata aaye heart was simple to say. Ja ja re ja balamwa .. The lyrics of Lataji's throat in the song are Bemisal. The only way you can hear the word 'Ja' is to feel the way Lataji has fought.

Also read :Three captivating streaks of Bhairavi mean the rest of the songs outside Basant ....

An interesting blow here. Pandit Bhimasen Joshi sang one of the songs of the film and recalled them. Panditji says in his biography, 'While going to school, I used to stand mesmerized by a record shop on the way.

One of the founders of the Kirana, Manata Ustad Abdul Karim Khan, sang in Raag Zinzotti, 'Pia bin nahin aat chain ...', was so engrossed in my mind that one day, I went home at the age of seven in search of a guru who taught music.

Rag Zinzotti has been tried by other film musicians himself. The author likes the song guide 's SD Burman-composed song, mouth se chhaal ki ja ... and Ravindra Jain for the film Chor Machye Shore and performed by Kishore Kumar. Today there were two songs to talk about but one song ended up being filled with space. Next Friday for the second song. Fir Milenge Yaron ...