Three captivating streaks of Bhairavi mean the rest of the songs outside Basant ....

In Indian music, Bhairavi is the only Ragini AV in which the repetitive vowels can be used artfully. In addition to the seven pure vowels, ray, c, the, and ni, the four soft vowels and the m sharp. Skilled musicians or singers play the laughter and show their vowels. Do a funny thing? In Ayurveda milk and onion or milk and garlic are the opposite foods. It is said that taking these two together can cause skin diseases. Indian music is the opposite. Particularly in ecclesiastical composition, which can also enhance the beauty of the song, even the raspy vocals of the raga, add streaks to the song that make the listener shout. This is felt in the remaining three songs outside the film Basant. Hats off to Shankar Jamison.

Actress Nimmi sits on Tanapura and sings along to dance actress Kumkum which means 'Kar gaya re mujh pe jadu, sanwaria kar gaya re muj pe jadu ..' The song has duet of both sisters and Asha. They are both Saggi Mahani sisters, yet their singing style is different and they are considered to be amazing in addition to their riaz. The lyrics of this song are a string of bhairavi. The other six are in the second song. It goes without saying that both songs have a common sense. It is 'Yeya kya kya re ...' What did you do to me? Bhairavi's second verse is in another song.

Here the songwriter is presented with the basis of the spirit of Advaita. In words, the unity of the two hearts is instinctively presented. 'Nain mile chain kahaan, dil hai woh tu hai jahan, yeh kya kiya saiyaan samvare ...' The real fun is different in both the songs. Both songs are in six-tailed khamata rhythm and both songs have Bhairavi support. But the similarities or similarities between the two will not be easy. That is the key to musicians. One rag, one rhythm - two songs and the two songs are similar to the Twins although both have different identities.

Bhairavi has a base in a song that is not possessed by so many. However, the rhythm here varies and the weight of the palate is different than usual. If you have studied even a little bit of Indian music, you will catch that this song has a glimpse of a superhero Bhairavi song created by Shankar Jaikis earlier. Just a sneak peek. Not a copy or a repetition, just a glimpse. Sounds flexible here. The most striking aspect of this song is the accompanying flute. Today, Hariprasad Chaurasia, Ronu Mazumdar, etc. are the bowlers. But in the sixties, the flute and the instrument became synonymous with each other and it was Pandit Pannalal Ghosh.

Thus, along with Shankar Jakison, Sumant Raj, Manohar Singh and other fluteists were there. But for Basant out, Pandit Bhimasen persuaded Joshi on the one hand and Pandit Pannalal Ghosh on the other. We know that Pandit Ravi Shankar, Ustad Ali Akbar Khan and Ustad Alla Rakha were associated with film music until the early 7th century. Ustad Ali Akbar Khan helped convince Pannababu that he had helped Ustad Amir Khan for Pandit Bhimasenji. Panna was a disciple of Living Legend Ustad Allauddin Khan, the father of Babu Ali Akbar.

Jaikisen persuaded Panna Babu with the help of Ustad Ali Akbar Khan. "Main piya teri, tu maan ya na maane, duniya jane tu jaane ya na jaane, Kahe ko bajaye tu mithi sweet tane ..." The song depicts the hero Bharat Bhushan performing the dance and Nimmi dancing. The music is able to create a sense of humor and humor in the song. Under the leadership of Shankarji, any jumble arises when Duttaram and Lala hear what has been created. With this today Basant departing out ... bye bye .... Basant out!