For the past one year, we have been enjoying the music of Shankar Jaikson, a duo like Shahenshah of film music. In the last two and a half months of last year, we were talking about the classical raga-based songs of these musicians.
First of all he spoke of Bhairavi based songs. Bhairavi is called 'Sarvada Sukhaddini'. Now what we are going to talk about is Ragini, which some scholars call 'Shivaranjani Rom Jharshini'. Shivaranj is one such concept of Ajmanma, spontaneous manifestation, supreme yogi and the leading figure of Indian music, Lord Shiva.
This temptation fascinates not only Shiva, but also men like me. If only two or four examples are needed, notice - 'Jara saam to aao chhalaye' (Janam janam ke fere-sn Tripathi), 'Quaid mein hai bulbul, Sayyad muskuraye ...' Virji Shah), "Good night, remember you .." (Aji bus shukri-roshan), "Sing ga ge song milan ke ..." (Mela-Naushad) and 'Feel na mora jia ...' (ghunghat- Sun).
Given this glimpse, Shivaranj's love for contemporary musicians of Shankar Jaikisan can be felt. Another example could be given. We are just having a snack in thirty-two meals and thirty-three dishes, just like pickles. So hang in here. Explaining in simple language: 'Sa, ray, ga, pa, the - in Bhupali are the five vowels, aren't they? Squeeze the cavities of them.
So, Shivaranj's place has been forgotten. However, there is one point to remember. Shivaranjani's standing price is compassionate interest. Some film musicians very gently try both myrrh to make it a bit of a pity. Do the same with Shankar Jakis.
In terms of number of songs, Shankar Jaikis has reduced the use of Shivaranj as compared to Bhairavi. The songs were rarely given, but they were made to make Romeshrishnani a revelation. Your fur is firm. An excellent example of this is, 'Baharon phool barsao, mera mehboob aaya hai ...' (movie Suraj). Shahnai is more effective here ... Then this song can also be recorded - 'Dil ke zarokhen mein tujh ko bithakar, yadon ko teri main dulhan banakar ...' (Brahmachari). Here is a filming of Shammi Kapoor playing piano. The scene where Teddy looks at Pran Saheb heroine is looking at Rajashri and Rajashree's eyes are wet ...
Here is the real fun. There is joy and joy in one song and sadness in another. Ragini single, tal but also one - six volume staircase but Surawali two different sensation. The two sensations are of the hero and the zodiac is decorated in tone decoration. One of the heroes' sense of humor is the film 'Sangam'. Here, too, Raj Kapoor is sitting at the piano and expresses his loss. 'Dost not be friendly, dear beloved, my life is not your Sunday ...'
Coincidentally, in this same film, the heroine's mood is different. 'O mere sanam, do jisam magar ek jaan hain hum, ek dil ke do arman hain hum ..' The husband considers himself unfaithful because a love letter has come in his hands after piercing his wife's jewelry box.
The scene belongs to the party but the song Manoman Ribati expresses the heroine's mood. Here the rhythm has changed, this song is released in a rhythm called "medium rhythm".
The hero, his wife and his friend - all three are enjoying a party, the pain behind the song is unaware of all. The compassion of urban life has been indirectly demonstrated. You know, we have come here to enjoy the party, the indirect sarcasm is presented here without saying anything. In the Shivaranjani of this song, two Gandhar are evident.
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Thanx for your precious time